Archive for February, 2020

What Was It?

Posted: February 24, 2020 in John Stammers Page
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‘Venetian ‘merchants’, besieging Athens’
their artillery scoring Acropolis hits. 
Imagine it.
                       Sneering; 
we were always good at that.
Commerce and culture, ‘Bean-counters, 
and creators, makers.
’ 
Both bear our scrutiny.

How these thin columns hold their lintel
of argument. The frieze of warriors
that overlays bare stone, chisel marks,
the industries of art – overlaying
the sophist’s forgotten blind alleys,
with only the successful, useful
remaining.

                    What was my argument, again?
I forget, my concentration overlaid 
by an artillery of marketing 
and contemporary concerns, moments.

The Nib:
/https://thenib.com/she-dared-to-be-herself-shirley-chisholm-s-legacy/

Combray

Posted: February 8, 2020 in Chat
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On the church steeple of Saint-Hilare, Combray:
And in the evening, when I was coming home from a walk…it was… so soft, in the close of day, that it looked as if it had been set down and crushed like a cushion of brown velvet against the pale sky which had yielded under its pressure, hollowing slightly to give it room and flowing back over its edges; and the cries of the birds that wheeled around it seemed to increase its silence, lift its spire to a greater height and endow it with something ineffable.

And later:

A little tap against the window-pane, as though something had struck it, followed by a copious light spill, as of grains of sand dropping from a window above, then the spill extending, growing, regular, finding a rhythm, turning fluid, resonant, musical, immeasurable, universal: it was the rain.

Yes, I’m spending my late evenings in Combray.
At last I’ve got around to reading Proust., In Search of Lost Time, rather than the older Remembrance of Things Past.
This is a newish translation: Lydia Davis, for Penguin Modern Classics. And instead of the evocative Swann’s Way, she translates Volume 1 as The Way by Swann’s.

Different weightings of a phrase tell so much of a time period, the dynamics of the time. This, I was tempted to write conjugating of the phrase, denotes our moment in time as one of reappraisal, sitting back and looking around at what is, what we have carried with us, as opposed to a time of movement. That itself is revealing; we may think this is a moment of change, and yet what we actually do suggests one of reappraisal.

The contrasts of image in that second passage: sand – fluid; close-by – far away; immediate moments – immeasurable, universal.
And the similar images, developed from one another: window pane – window above; rhythm – musical; copious (light) spill – extending (sound); a little tap – resonant.

There are also the uses of polysyllabic set within monosyllabic structures, skilfully deployed.

What fine writing, though. It is solace for these testing times.

But then the writer followed that up with a ludicrously stretched joke on the difference of the Saturday routine at Combray.
Then Francois chased around and messily slaughtered a chicken for their meal.
Ok, time to skip-read, perhaps.