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Outside the Academy
Recession, cut-backs, economic meltdown... cannot pay tuition fees... so we educate ourselves. Like people have always done.
Outside the academy - not held back by economically-constrained academic horizons but also to read outside the box, think around corners.
'...taking on our almost sacrosanct respect for language use, and displaying its unreliability, its imprecision, its less than worthy credentials for acting as our instrument for understanding, and survival.'
Book-based blogger, and er... well, whatever-comes-my-way.
UK based. Main interest areas: literature (chiefly european)
history (chiefly european)
the arts: music, painting, sculpture, architecture, yadda yadda yadda ( gedda da picture?)
noo science
most other things too
And 'would like to meet' others into 'stuff' too.
I rather like this comment, to quote myself (aiee, the hubris, but once in a long while I nail it for myself) as representative of the current state of this blog's reason d'etre:
"to question the 'sacrosanct respect for language use, and display its unreliability, its imprecision, its less than worthy credentials for acting as our instrument for understanding, and survival'."
Gotcha!
From The Guardian/Observer review (Matthew Reisz, Sunday January 15, 2023)
The Holocaust: An Unfinished History, by Dan Stone
In many ways, writes historian Dan Stone, “we have failed unflinchingly to face the terrible reality of the Holocaust”
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As this may suggest, Stone is sceptical about the oft-proclaimed benefits of Holocaust education and commemoration. Back in the 1990s, he believes, awareness of the Holocaust was not only widespread but “channelled in favour of human rights, cosmopolitanism and progressive ideas”. Since the millennium, however, “this confident narrative has been derailed. The use of Holocaust memory to further nationalist agendas, to facilitate geopolitical alliances on the far right or to ‘expose’ progressive thinkers for their supposed antisemitism or anti-Israel bias is now a familiar part of the landscape.”
The implications of all this could hardly be more sobering. Just as “Nazism was the most extreme manifestation of sentiments that were quite common, and for which Hitler acted as a kind of rainmaker or shaman”, suggests Stone, the defeat of his regime has left us with “a dark legacy, a deep psychology of fascist fascination and genocidal fantasy that people turn to instinctively in moments of crisis – we see it most clearly in the alt-right and the online world, spreading into the mainstream, of conspiracy theory”. His book offers a brisk, compelling and scholarly account of the Nazi genocide and its aftermath. But never for one moment does it let us believe that the events are now safely in the past.
The Holocaust: An Unfinished History by Dan Stone is published by Pelican (£22)
I was I think seventeen years old; I had just left school. I was looking for something of my own, that was myself. I came across this on a market stall, and bought it. An old vinyl record of Beethoven’s Piano Trios, Number 4.
Such items retain a certain potency. This was my ‘find’.
J’avais je pense dix-sept ans; Je venais de quitter l’école. Je cherchais quelque chose à moi, c’était moi-même. Je suis tombé dessus sur un étal de marché et je l’ai acheté. Un vieux disque vinyle des trios avec piano de Beethoven, numéro 4.
Ces éléments conservent une certaine puissance. C’était ma “trouvaille”.
Avevo, credo, diciassette anni; Avevo appena lasciato la scuola. Stavo cercando qualcosa di mio, quello ero me stesso. Mi sono imbattuto in questo su una bancarella del mercato e l’ho comprato. Un vecchio disco in vinile dei Trii per pianoforte di Beethoven, numero 4.
Tali oggetti mantengono una certa potenza. Questa è stata la mia “scoperta”.
Ik was ik denk zeventien jaar oud; Ik was net van school af. Ik was op zoek naar iets van mezelf, dat was ikzelf. Ik kwam dit tegen op een marktkraam en kocht het. Een oude vinylplaat van Beethovens pianotrio, nummer 4.
Dergelijke items behouden een bepaalde potentie. Dit was mijn ‘vondst’.
on thermals, so effortlessly I forget all I ever doubted and remember all I’d hoped of life and our future – of seeing your face again while I still can between this day and that night that takes off shoes, coat, and makes out it wants to stay.
And if thermals can do this, and thin bones, stringy muscles, dull brown wings, and a sky in a lull between holiday flights, then why is it so hard to achieve in the slow fall of the year when heat is unbearable, and time spare so taken up with it, I wonder?
And receive no answer. But become young again. And just for the duration of that song it seems I can lift the weight off by piling hope high, a sustained height.
The bird cannot surpass itself, only the song in the air can be carried further
From Memoirs of Hadrianby Marguerite Yourcenar, translated by Grace Frick. Penguin, 1951.
‘I have supposed, and in my better moments think so still, that it would be possible… to participate in the existence of everyone; such sympathy would be one of the least revocable kinds of immortality. There have been moments when that comprehension tried to go beyond human experience, passing from the swimmer to the wave. But in such a realm, since there is nothing exact left to guide me, I verge upon the world of dream and metamorphosis.’
What do you know about Ostend? – Did you know that James Ensor, the painter, grew up there? – Or that Marvin Gaye, soul legend, once lived there? https://www.visitoostende.be/en/marvingaye
– We have just passed Bloomsday, but did you know that James Joyce and family spent a very happy vacation there, in 1926? It made its way into Finnegan’s Wake, he was writing at the time.
Then, there is Aldous Huxley spending many formative periods in Brabant.
Albert Einstein in De Haan , on the West Flanders coast.
These are just the bare bones. The cultural richness is there to be awakened for you, explored.
Access to the Dutch cultural impact is here made available to the English-speaking world. And it is very rich and rewarding.
The High Road to Culture in Flanders and The Netherlandsis your passport:
The site is the online presence of the Flemish-Dutch cultural institution Ons Erfdeel vzw. They state: It is our mission to provide an English-language audience with the necessary background information to be able to appreciate the arts, history, language, literature and societal developments in the Low Countries. We pay special attention to connections between Dutch and English-speaking communities.
The site has a highly polished, interactive, and reactive, screen presence. Stylistic, smart, and always up-to-date on a surprising range of events, publications, activities.
The site’s banner head gives us access to a wide swathe of Dutch and Flemish culture : Arts History Language Literature Society Podcast and also Publication.
The present updated site gives us articles on Why Brussels Needs to Rethink Its Governance, a lively in-depth look at how Brussels negotiates its multi-lingual needs of governance.
We also see in Art In The Chapel, how an abandoned 16thchapel in Ghent has been revivified by artist Berlinde de Bruyckere.
New Book On Netherlandish Drawings 1500 – 1800which takes from Breughel, through Peter Paul Rubens (what skill at age 20!) onwards.
What do you know about Polydore de Keyser? He was a Flemish hotelier who moved to London, eventually becoming Lord Mayor.
There is an on-going Series side-banner, where history articles are made available from the Republic of Amsterdam Radio group. These in themselves are invaluable. But they are just one part of what is available on this site. There is, of course, the Young Voices on Slavery series, where young people respond to actual artefacts and records of slavery. The latest venture in this field is Young Writers On Invisible Labour, where responses are to the neglected workers behind great works.
And there is the regular Friday Verses slot, that I keep recommending. Some excellent work here, available in English translation for the first time.
Here are 41 Dutch Books You Need To Read This Summer, available in translation, summer 2022: Fiction, Poetry, Comics and Graphic Novels, Children’s and Youth Literature, and Nonfiction.
Or, you may prefer Stefan Zweig on The Land Between The Languages, an jewel of a book, illustrated, of his reportages of times in The Netherlands, reflections on The Great War, and the arts of the period.
You can sign-up to their email newsletter. Better still is to open a subscription, and choose an option. Subscription opens up the archive of articles, podcasts and themed series.
I'm a UK-based editor for a major publisher. I'm making it my off-duty duty to experience FIVE books, FIVE films, art, TV, music and food from every country in the world (where feasible). See drop down menus for my progress.
For lovers of classical music and those who would like to learn about classical music. I am, big Mike, just a fan of classical music and certainly not a pro. So, I do make mistakes and would appreciate you correcting me if I do. I am married to the wonderful Sheralyn with daughter, Ebony and granddaughter Skye. I am Jewish and love not just classical music but all sports, walking, and reading [mostly thriller novels]. I love to share what little knowledge I have RE: classical music and hope you enjoy some of my posts. Thanks!