Posted: March 25, 2018 in Chat
Tags: , ,

Pink black slouch and lounge;
retro’s specific to the twenty year limit’s
periphery of reference.
Silk and rustic; heraldic, synthetic
admixtures of wool, Kashmir, satin.
Alice-blue gingham, with crinolines:
white is still pure, romantic,
without sins.

The sound track guitar on overdrive
distorts its chords to a programmed pulse;
and even if the music is a love song it is
tuned to a sulphate beat: dance, cruise, music
for the catwalk; lizard-like; ambient.

Panelled and fish-tailed dusty grey; a train
of gauze, lampshade head-dress;
kaftan and puckered waistcoat, djbella,
patterned with satin, sheer. Sateen
 swimsuit under high head-dress and train:
colour transforms to shape, shape to colour.

To look cool, even though the room is rising,
keen, though the style is low, look
catwalk-kitsch in full face-mask,
in Edwardian layers, as the room spins hotter.

The beat is an astrakhan flashbulb pulse,
the keyboard an embroidered burnt umber,
and that guitar again, perspex, translucent;
the singer’s voice a textile acid yellow.

A sampler tape labeled Sex Sounds – Normal.
Design after design; a model turns,
throws a red carnation to the camera.
We all applaud; we are all the show.


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